My work deals with the themes of transience, imperfection and time’s passing, inspired by the Japanese philosophies of Mono No Aware and Wabi-Sabi.
Influenced by the photography of Bernd and Hilla Becher, paintings of Agnes Martin and George Shaw, and the films of Yasujirō Ozu, I often use grids and interval techniques similar to time-lapse photography. Much of my work combines multiple photographs to create a single image that, when viewed in its entirety, takes on a whole new collective ambience to its constituent parts.
